Wednesday, September 28, 2011
Suffrage article about Governor Markham
Gov. Markham sets back women's movement several decades
By Erika Mailman
Suffrage passed in California in 1911, nine years before it passed nationally. We can pat ourselves on the backs for being the sixth state to permit woman at the polls. Yet if not for the bullheadedness of an early governor, women could have been voting as early as 1893.
The villain? Governor Henry Harrison Markham, a Republican who served 1891-95.
Born in New York in 1840, he was educated at Wheeler Academy in Vermont. After graduation, he and his brothers moved to Wisconsin. There, he worked as a teacher before volunteering for a Wisconsin infantry regiment of the Union Army. He participated in Sherman’s famous march to the sea, including slogging through waist-deep swamp water, and sustained severe injuries at the Battle of Whippy.
After the war he returned to Wisconsin and studied law. In 1876, he married Mary Dana. They responded to a newspaper ad to buy 23 acres in Pasadena, in part to improve Henry’s ill health, and moved there with their young daughter in 1879.
Markham certainly sounds like a good guy: he volunteered for the school board and helped establish the local library. He was the first U.S. representative for California’s sixth congressional district, 1885-87, and won the campaign for governor thanks to his solid grip. “The victory was attributed partly to Henry’s manner of personally greeting thousands of voters who became well acquainted with the ‘Markham Glad-hand.’ It was his signature move—a firm, hearty handshake evoking sincerity,” wrote Lawrence P. Gooley. He took office in 1891.
In response to the state’s economic woes, he pushed for the 1894 Mid-Winter Exposition which indeed brought needed money and attention. Held in San Francisco’s Golden Gate Park for six months, the fair’s legacy is the original De Young Museum and the Japanese Tea Gardens.
A lovely anecdote about Markham shows his good heart. Out walking one day, he found a woman and child who had been evicted from their apartment. He secretly slipped a $100 bill into the keyhole and told the boy to go look again for the “key.” He left before his good deed was discovered.
All this makes it hard to conceive that this gentleman looked at the suffrage bill that had passed both the Senate and Assembly and summarily vetoed it.
Harder still to understand how he justified his decision to his wife and four daughters, Marie, Alice, Gertrude, and Hildreth. The family had no sons.
The discussion may actually have been easier than we might think, since it was doubtless conducted by mail, if at all. His fifth daughter Genevieve had died of typhoid fever six months after the family moved to Sacramento. Mary and the remaining daughters returned to Pasadena where they stayed until the end of his gubernatorial term three and a half years later.
It’s hard to enter the 1800s male mindset to determine why Governor Markham didn’t think that his closest circle deserved to vote. His wife had been formally educated at Rockford Seminary in Wisconsin (whose most famous graduate was Jane Addams, winner of the Nobel Prize), and was a tireless volunteer for her Pasadena church and its causes. He had been raised with five brothers and four sisters, so surely the female gender was not a cipher to him.
He loved his daughters. I found an article that talked about an elaborate playhouse he built for them, which is still extant and now sits in a corner of the yard of Pacific Oaks Children’s School in Pasadena.
Yet it’s said he felt suffrage was unconstitutional. Trying to locate more information than that is difficult, and in fact one of my sources indicates that the bill may not have been for blanket suffrage, but rather for “school-suffrage,” so that women might vote at any school election and hold office.
This appears to have been a tactic to chip away at public sentiment; men might be more likely to grant power in an arena viewed as female anyway, and then armed with that success, women could then lobby for more. By 1904, 19 states permitted school-suffrage (in addition to the four states then granting full suffrage: Colorado, Idaho, Utah and Wyoming), while in a few other states women might vote on municipal bonds or questions of public expenditure.
According to the 1904 World Almanac prepared for the Louisiana Purchase Exposition, other persons excluded from voting in California included “Chinese, idiots, insane, embezzlers of public moneys, convicted of infamous crime.” A footnote added, “Or a person unable to read the Constitution in English and to write his name.”
Markham did not run for a second term, and his grand three-story Pasadena mansion was torn down several decades after his 1923 death from stroke. His mansion had stood near today’s tourist mecca for Craftsman enthusiasts, the Greene & Green Gamble house, and homes owned by other titans of industry: Busch (beer), Wrigley (gum), Maxwell (coffee), Spalding (sporting goods) and others.
The issues around suffrage were complex, and not solely attributable to misogyny. As is endlessly the case with politics, financial interests played a huge role. Many feared women would promptly institute social reforms such as limiting hours that children might work, making factories and mills less profitable. They also predicted women would institute prohibition, not a farfetched fear since the Christian Women’s Temperance Movement was a stalwart suffrage crusader.
Indeed, when the issue of suffrage went (unsuccessfully) to a statewide referendum in 1896, the Liquor Dealers League urged its members, “See your neighbor in the same line of business as yourself, and have him be with you in this matter.” Still others felt suffrage would create an administrative nightmare: it already took nearly a week to count the male votes in the state.
Whatever Markham’s reasoning was, he set back the women’s movement in California by 18 years.
One final tidbit: my research yielded the fact that Gov. Markham has his own Facebook page, and six people like him. Hilarious!
Tuesday, September 27, 2011
Suffrage article by Elaine Elinson
She outlines here how Selina Solomons got San Franciscans to work for suffrage. She's a fantastic writer.
Sad discovery of woman possibly thought a witch

Friend Linda McCabe alerted me to this link, about the discovery of an 800-year-old corpse in Tuscany. Because seven nails were driven through her jaw, it's thought she was a witch, and this was a measure to keep her from rising from her grave. (But that seems spurious, as she was buried in consecrated ground.)
Thirteen nails were also found around her body, as if fastening her clothing to the ground. She was not in a coffin or shroud. Hm, seven and 13: both kind of "evil" numbers.
Another nearby corpse was buried with 17 dice. Seventeen is an unlucky number in Italian, and women were prevented from playing dice in medieval times, so it's thought she too may be a victim of a witchcraft accusation.
Stories like this are always such sad mysteries. Were the nails driven before or after death? What were these women's stories? And how would they feel knowing their images are posted on some worldwide device that everyone can access, and see the horrible truth of their skulls displaying the violence of their treatment?
Here's the link.
Thursday, September 01, 2011
Suffrage parade reenactment
Something is brewing in Oakland that I'm so excited about!
Individuals and groups are coming together to re-enact a suffrage parade that took place in Oakland in 1908-the FIRST suffrage parade in California! Suffrage didn't pass for another three years, in 1911...but women fought hard for decades to get it through.
We want to honor those women who struggled so valiantly to get us the right we take for granted today. Can you imagine if women couldn't vote now?!! Yet only 100 years ago it was the case all across the country with the exception of four states: Idaho, Wyoming, Colorado and Utah.
The parade takes place Sunday, Oct. 2. Gather at the Lakeside Park bandstand, march up Grand Avenue to the pergola, and return through the park. It's free.
If you want to spend money, buy a $10 commemorative sash, or donate to help defray expenses for things like street closure permit and the requisite police officers to monitor the event. Visit this website to learn more and to get your sash/donate.
Here is a photo of the 1908 parade. In the background is the (now gone) Masonic Temple at 12th and Washington. The woman on the right is mother to the woman in the center, which makes my heart swell. I somewhere also came across a photo of a woman pushing her child in the stroller. Women working together across the generations: beautiful.
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Tuesday, August 09, 2011
Free novel writing workshop this Saturday
workshop on Writing Your Novel. Come with a notebook and a few
ideas. Erika will guide you through the process of brainstorming,
outlining and how to keep motivated over the long haul. You’ll
do two guided writing activities and leave with a solid idea
for a novel, the beginnings of an outline, and tips for
staying the course.
The workshop takes place 2-4:30 p.m., Saturday, Aug. 13,
at Booksmart bookstore, 80 E. Second St. in Morgan Hill.
Limited to seven people aged 15-99; please call Booksmart
to pre-register at 778-6467.
Erika Mailman is the author of two historical novels, Woman
of Ill Fame and The Witch’s Trinity. The Witch’s Trinity
was a San Francisco Chronicle Notable Book, which Khaled
Hosseini called “a gripping, well-told story of faith and
truth.” She has taught writing at the University of Arizona,
College of Alameda and currently teaches through
www.mediabistro.com.
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Monday, June 27, 2011
Historical Novels Society conference
There was an amazing slate of authors, so many great panels that I had a hard time selecting which to attend (typically, four panels per hour), and a great collection of agents and editors who generously shared their insider look at the business.
The high point for me was meeting Heather Lazare, Crown editor, and Michelle Moran, Crown author. Heather's actually my editor (I was very happily assigned to her after Allison McCabe, my editor for The Witch's Trinity, left publishing) and I had never met her. It was fantastic to have that opportunity, and to meet Michelle as well, whose career I heartily admire, over delicious fish tacos.
I was also thrilled to meet Vanitha Sankaran. We share an agent and I was delighted to have been able to blurb her lovely debut WATERMARK. Vanitha did a great job presenting on the Marquee Names panel, and I sat next to her at the booksigning where she signed them hand over fist. Nice work, Vanitha!
I also enjoyed meeting fellow witchcraft authors Mary Sharatt and Suzy Witten, and Sarah Johnson, the guru behind the conference, and Richard Scott, the genie behind the conference, and Gillian Bagwell, who did a great job in a nighttime reading session with Diana Gabaldon and CC Humphreys, and Christopher Cevasco, who I sat next to at dinner, and seeing again fun and wry Christopher Gortner.
I had great conversations with many folks and apologies if I'm not remembering names. I loved talking to the publishing attorney who is very close to finding representation (and thanks for buying multiple copies of my book! hugely appreciative) and the woman who wrote the Goddess tarot. Many other great interactions; sorry if I'm forgetting anyone.
I learned so much that it would be impossible to blog it all, but here are a few highlights that stick in my mind:
- Sourcebooks editor Shana Drehs talked about cover art decisions, and said that most options for a single book she's ever seen was 124!
- Heather Lazare and Michelle Moran also talked about cover art for MADAME TUSSAUD and the many iterations it took to come up with something everyone could live with (I love that cover and would adore seeing the also-rans)
- Someone said it was integral to join Goodreads, and so I have!
- Persia Woolley told of a online seminar in how to use Facebook better as an author
- Someone spoke of the importance of being able to boil your novel down into a one-sentence pitch, and then a one-paragraph pitch. I do that with my mediabistro students, so it was confirming to hear that.
- Shana Drehs talked of the exponential growth of ebooks, with a huge jump just between November 2010 and January 2011
- She also said the point of writing is for the reader to feel "I'm awesome" while reading it. That generated a lot of reflection for me. How do we get a reader to feel like they're cool for reading our book?
The conference alternates between England and the U.S., so the next one will be held in London. Although I'd love to visit, it's far more likely my next foray will be the 2013 conference. Hope to see you there!
P.S. Amended later to add some more thoughts:
- It was great seeing Cecelia Holland get a standing ovation for her keynote address. She said something in that speech that really got me thinking: "We'll never know more about this particular moment than we do right now."
- Enjoyed speaking very briefly with Susanne Dunlap, Bethany Latham, Christy English, Susan Higginbotham, the two fabulous bloggers Heather of Maiden's Court and Allie of Hist Fic Chick and the nice aspiring author from the Crusades era who brought his dad (awww)
- And finally, wanted to say that while I was happily reassigned to Heather Lazare, it was with great angst that I "lost" Allison McCabe, an incredible editor who shares my love of all things morbid and dental, and made my book so much better than it was before.
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Friday, April 01, 2011
Visiting Chabot
The students asked really thoughtful questions and I enjoyed that challenge of being slightly put on the spot for things I didn’t instantly know the answer to.
I think the best question of the night was about craft: “Why did you choose to start the story the way you did? At the beginning you can’t tell right away what’s going on, and who’s involved, and you keep reading to have it unfold.”
That’s a great question. I don’t know what spurs the first moment of a novel. I do know a lot of advice says, “Start writing, and then you’ll probably discard the first 20 pages and begin where the story really starts.”
All I knew was, my novel had to start with Nora arriving in San Francisco, and it made sense that she’d use every last second to make money the best way she knew how. I hadn’t really thought of that beginning sex scene as cryptic, or that one is initially unsure what’s happening. I’d have to look at it again (that book was two babies ago!)…but the underlying question is more global than that: “how do we choose to relay information?”
Some writers might well have chosen to say, “Nora Simms lay on a rice bag, having sex with the galley mate as the ship docked” (which is the scene), but instead I chose a more subtle approach to keying the reader in to what was happening. It’s instinctual, and it’s just how people innately decide to write scenes. I never really think about different options for starting a scene; I just start. My mind knows what it wants to do, right or wrong. I’d be curious to know if other writers consider and abandon different approaches before starting.
Two other interesting things arose out of that classroom visit. One was that someone asked me to sign her book, but it was a library book. We laughed a bit for the idea that I could inscribe it, “Dear library patron…” In the end, I wasn’t enough of a scofflaw to sign the book on the title page, but I did write a little secret message at the back on my author photo page. So if you take Woman of Ill Fame out of the Oakland Public Library, you may happen to get that copy.
Another signing issue arose when someone handed me a book that I had previously signed! He must have bought it off Amazon. I had written, “Dear X, Good luck with your writing career!” so it was probably someone I briefly talked to about their writing aspirations. Unsure what to do, I chose the goofy route, crossed out the woman’s name and instead wrote the current man’s name, and wrote something silly in the margins around my original message.
I’m sure this has to have happened to other authors before since I’ve noticed something: most people open your book to the first page, not the title page, to be signed, making it likely they wouldn’t notice the book was already signed. Which actually makes better sense: it’s typically a page with more room for a message (sometimes completely blank), whereas the title page has many elements to contend with.
Anyway, it was fun to talk about (and think about) Nora Simms again. Thanks Chabot students and especially thanks to instructor Danielle Maze.
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Monday, January 31, 2011
Winter reading recommendations
This time, I’m limiting the list to young adult books. Over the course of the last year or so, I’ve been reading everything I can get my hands on… is it just me, or do YA and middle grade books have more inventive, memorable and inviting cover art than adult fiction typically does? It is so entertaining to visit this section of the bookstore, and hard to leave without dropping some serious dough.
Here’s a few I’ve really fallen in love with:
Book of Dead Days by Marcus Sedgwick
This book follows a young boy in a late 1700s, unnamed European city, who is servant to a magician who seems to have more than sleight-of-hand abilities. The also-unnamed Boy and a orphan girl who comes into his life try to help his master subvert a long-ago deal with the devil. Time is running out to save the magician’s soul…and the journey is magnificent.
The Agency series by Y.S. Lee
I jumped into this series with #2, because the cover art was just so inviting to me. A strong, young Victorian-era heroine? I’m IN! Mary Quinn works undercover for a women-run spy agency (could this be any better?) and has a half-Chinese heritage (yup, it just got better!). In this installment, she works (literally—she joins a construction crew, and the details of how big-scale construction worked in those days is fascinating) to figure out who pushed a body off the top of the in-progress British Parliament building. Loved it. Number 1 in the series is top of my TBR pile.
A Great and Terrible Beauty by Libba Bray
Not a new book, and several have followed in the series to complete a trilogy, but what can I say—I sometimes come to things late! As I did with the book above, I grabbed this one based on the incredible cover art. It’s set at a girls boarding school (I always love these stories, and wanted so badly when I was young to be sent away, or given a governess, or something literary), and the main character Gemma suffers visions and learns she is somehow linked to a former student at the school. That student was a member of a supernatural society and stakes get quickly dangerous, and Gemma learns disturbing information about her own mother. It’s a page-turner.
Enjoy the winter reading!
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Saturday, October 30, 2010
Blogger author
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Friday, September 24, 2010
My peeps!
A few weekends ago I had the true pleasure of meeting other Parsonses, at the Western Parsons Family Association. The group invited me to come speak about our ancestor in common, Mary Bliss Parsons, who was accused of witchcraft in 1600s Massachusetts.
This group all descends from a Parsons who came west on a wagon train in 1853...and then ultimately from Cornet Joseph Parsons, the first in our line in America (the husband of Mary Bliss Parsons). They are very knowledgeable about their genealogy and came equipped with tomes of family history.
I so much enjoyed meeting this wonderful group of people, who have met up annually for years. They made me feel right at home and seemed genuinely interested in Mary's witchcraft travails. Each year they make quilt squares and Harriet Parsons lovingly sews them into a beautiful quilt. She brought about 10 of the most recent years' and they were incredible works of art.
Here is our group (I'm sitting on the stone wall in a red shirt), and a picture of the sheet cake we all devoured.
I hadn't thought about Mary Bliss Parsons for a while... my book came out in 2007 and since then we've had two children and moved twice and... well, she just hasn't been on my mind. But boning up to do the talk, and then responding to the questions they raised, again filled me with enthusiasm to go to Northampton, Ma. to visit the family home, now a museum, and research more about this intriguing ancestor of mine. Someday!
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Wednesday, August 18, 2010
Summer Reading Recommendations
Daughters of the Witching Hill by Mary Sharatt
This book is written with such lovely empathy that it radiates. Based on the details of the 1612 Pendle (England) witches trial, this novel follows Bess Southerns and her family as they scratch a living out of the hard soil. One source of income is doing “cunning” work: healing and magic. Which of course leads to trouble… imprisonment and the threat of execution.
I so sincerely don’t believe in witchcraft, and am so enraged at how even today (read my archives) people are still being tortured and killed for the accusation of witchcraft, that it’s a tough sell for me to accept a novel in which someone really does have powers. But Sharatt’s light touch allowed me to immerse myself in this world.
An interview with Katherine Howe, another witchcraft author, reveals a key point for me. Sharatt says of one of her real-life characters:
Her last recorded words before she was hanged were a passionate vindication of her grandmother's legacy as a healer.
Clearly, these women did believe in their cunning powers, whether or not they truly existed. Sharatt’s earnest and compassionate telling of their lives won over this initially hesitant reader, and I highly recommend this beautifully-told book.
The Children of Witches, by Sherri Smith.
Published in England and available here in the U.S. as a Kindle edition, this novel looks at the world of witchcraft in a medieval German town. Smith asked me for a blurb for her beautiful novel, and I gladly gave one.
The innkeeper’s son Manfred is somehow “not quite right” but has a lovely singing voice and gathers attention and fame for it. Unfortunately, once the spotlight shines on him, it displays other things, and suddenly a village is turned upside down. The priest gathers children to him and they begin pointing fingers. Soon, they run the village and even their own parents are afraid of them. No one will enter the marketplace during the hours that the children are freely roaming and looking for people to enact their spite upon.
It’s a terrifying look at what happens when the most power is handed to the people least able to wield it. With poetic language, this novel is quiet and haunting.
The Dark Lantern, by Gerri Brightwell
Set in Victorian London, one of my favorite historical fiction armchair destinations, this novel tells the tale of Jane, a maid who does that wonderfully appropriate thing of spying on her employers. We quickly learn all kinds of disquieting things about possible fraudulent heiresses, intruders impersonating the man of the house, and even the fact that our maid hides secrets herself.
I’ve never read such a realistic (and harrowing) description of housework of the era. The cinders from the fireplace, which embed themselves in the rug and endlessly need to be cleaned, became nearly a character themselves.
The lantern of the title has a sliding screen that can hide or reveal the candle inside, which provides a beautiful metaphor for the way the author gives brief, half-seen glimpses of truths before leaving us in the dark again. A compelling read very akin to Sarah Waters’ work.
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Monday, June 21, 2010
Witch's Trinity makes summer book list!
I was thrilled that the Chronicle book editor John McMurtrie ran Tamim's pick as the top book in the list, and with a huge jpeg of my book cover. Thanks so much!
The Chronicle has been kind to Witch's Trinity: it was named a Notable Book in 2007. And as the sole newspaper in the Bay Area that is still running independently, it deserves kudos for standing strong.
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Wednesday, November 18, 2009
Shirley Jackson Awards
Which means I'm embroiled in reading some wonderful books and some not-so-wonderful books, and open to recommendations. The book has to be have been published (or slated to be) this year.
The press release is here.
I'm also excited to see that Jackson's We Have Always Lived in the Castle is going to be made into a film.
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Tuesday, November 10, 2009
Red Room
Within the site, authors can create blog posts. I wrote one recently about my experience of Halloween. Currently, Red Room is featuring me on their home page, linking directly to that post. Thanks so much, Red Room! This is a great site to learn more about writers and to find out event dates and the like.
Speaking of events, I'll be talking to the Mayflower Society in Pebble Beach, California, this Saturday the 14th. I'm particularly excited because I just read Nathaniel Philbrick's incredible book Mayflower, which shed a lot of light on what conditions were like in 1656 Massachusetts at the time of my ancestor's first witchcraft trial.
I think I'm going to buy multiple copies for my family members this holiday season... learning how the Pilgrims and Indians very nearly were able to cooperate (and did in fact live together fairly well for decades) and then how pressures from Puritans, self-interested individuals and general mistrust led to King Philip's War was nail-biting stuff. And I don't usually say that about nonfiction, especially nonfiction whose outcome I already know.
Philbrick's book basically gives the background for every skirmish of the war. "King Philip" was the mocking name given an Indian with apparently regal bearing... his war against the Europeans ultimately spelled the doom of his people--although it so easily could have gone the other way. Philbrick relates:
In the years before the war, Native Americans had constituted almost thirty percent of the population of New England. By 1680, they made up less than 15 percent.
Another shocking statistic is that in 2002, it was estimated that 10 percent of the American population descends from Mayflower passengers. Those Colonials did their best to propogate, having huge families. My ancestor Mary Bliss Parsons (not a Mayflower passenger, but a very early immigrant) did her part, birthing 14 children, nine of which lived to adulthood. A different world, no?
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Sunday, October 18, 2009
Witches…sometimes collect male organs in great numbers, as many as 20 or 30 members together, and put them in a bird’s nest, or shut them up in a box, where they move themselves like living members, and eat oats and corn, as has been seen by many, and is a matter of common report.
Sunday, October 11, 2009
Fall Reading Recommendations
1. The Widow's Husband by Tamim Ansary. I loved this book. A beautiful, literary look at Afghanistan in the 1800s, with tribal life lovingly rendered. Tamim is also the author of West of Kabul, East of New York, and the recently-released Destiny Disrupted, A History of the World Through Islamic Eyes.
2. Cleopatra's Daughter by Michelle Moran. I have to confess, this is still in my TBR pile...but I love Michelle's writing and so can confidently make the recommendation. Michelle does Egypt (and now Rome) like nobody else!
3. Flow Down Like Silver by Ki Longfellow. Another one I have yet to read but can wholly recommend on the basis of her previous novel The Secret Magdalene.
4. The Gatekeeper by Michelle Gagnon. Not available until next month, this thriller follows Kelly Jones in her third installment of serial killer trackdowns. Michelle is so personable in real life, you'd never guess her mind is so dark.
5. Exult by Joe Quirk. I loved this novel. Joe is amazing at action scenes that literally make your pulse race. His first novel The Ultimate Rush was well-named for that reason. Joe also writes nonfiction about the differences between the genders: Sperm Are From Men, Eggs Are From Women is a witty read.
6. Remedies by Kate Ledger. I went to grad school with Kate, who made me jog with her in Arizona's brutal heat. She's gotten great reviews for her debut novel, and I can't wait to read it.
7. The God Patent by Ransom Stephens. Could there be a better title? Ransom has published through scribd.com...and I also hear there's an audiobook in the works. That's the one I'll be buying; I'm a big car listener.
8. The Sower by Kemble Scott. This book got lots of noise (including NYT noise!) for Scott's alternative publishing method. His first novel, SoMa, was a finalist for the Lambda award.
All right, those oughta keep you busy for a while. And if you haven't read The Witch's Trinity, that would be a perfect fit for this time of year.
Happy reading!
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Saturday, August 29, 2009
My letter to Google
Authors, we have until Sept. 4 to file an objection to the Google Book Settlement. For specs, see the FAQ under googlebooksettlement.com. This is a landmark, precedent-setting case; please consider expressing disapproval to the court.
For those of you new to the issue (and those who aren't), I'd like to share my letter of objection.
Office of the Clerk,
J. Michael McMahon
U.S. District Court for the Southern District of New York
500 Pearl Street
New York, New York 10007
August 21, 2009
Dear Clerk:
I’m writing to object to, and express my horror at, the Google Book Settlement currently on Judge Denny Chin’s desk.
As an author, my creative work is copyrighted. What does a copyright mean when a corporation like Google can get hold of my work, without my permission, for financial benefit?
I find it unconscionable that an interloper who had nothing to do with the writing of my books, nor the publishing of them, will now be able to profit from them.
If I were a dressmaker and Google absconded with my gowns, there would be no question that Google would need to promptly return them and face serious legal consequences. However, due to the digital and therefore distributable nature of books, Google’s theft does not appear that way to all eyes.
I opted in to the settlement because it was the only way to protect my rights to my work; my back was against the wall. I did so under situational duress. My literary agent recommended that I do so. I don’t have the time or resources to hire my own attorney, but I do not feel that the Author’s Guild attorneys represent me… nor do they somehow magically represent the world of “all writers everywhere.” I am not a member of the Guild, and I am deeply upset that the Guild is considering the settlement. I would like Google to go to court and have to defend its position.
Under the terms of the settlement, Google keeps 37 percent of all revenue generated by its sales of works written by hapless authors. That is a despicable figure given that the typical percentage for authors who created the content is only 10 percent under traditional publishing.
With the settlement, Google keeps 37 percent. Of the remaining 63 percent, writers and publishers must pay 10-20 percent to the Book Rights Registry (again, an entity I don’t know and don’t want to profit from my work) and then equally split the remains. Doing the math, whether the Registry keeps 10 or 20 percent, the author and publisher percentage is significantly less than Google’s (28 percent or 25 percent, respectively). That is grossly unfair.
Authors sweat and pray and write for years to create a book. Publishers do a fair amount of work as well. They put up money to create a tangible book (or e-book), maintain a stable of editors and marketing staff, and undertake the arcane and unwieldy world of book distribution. These two entities deserve revenue from their books. But what will Google do to receive 37%? It will scan a book—which any halfwit with a scanner can do.
The publishing industry is already on the wane. This Google settlement may sound its death knell. Independent bookstores are closing like the livery stables of yore, and losing business to yet another online competitor may close down the entire literary operation, with thousands of publishing house employees, bookstore employees, and authors left stranded. If we thought Amazon was tough on the business, this new venture will shoot it in the knees.
The saving grace for publishers may be e-books… a new way of reading that may rescue the industry. Yet the Google Book Settlement will undercut this possibly vital new scheme.
Publishers publish books knowing the undertaking is risky. The book may not flourish and its publication will have been an error. But that is the beauty of literature: we do not know which books will please, and we read and write and hope for the best. Already it is famously difficult for writers to get published…if publishers must watch their wallet even more closely, and take less risks on new writers, there will be a trickle-down effect on the entire world of literature.
And what about libraries—those bastions of civic benevolence? If one can access a book at 2 a.m. on one’s computer, who will bother to wait until morning to get in the car and go to the library? The whole library system may founder.
This settlement provides a landmark precedent for whether literary works will be protected by law. If Google is permitted to scan and sell others’ content, the “barn door is open,” as they say, and scads of other companies will leap to do the same thing.
Please protect writers, publishers and bookstores by unequivocally shutting down this unfair, abhorrent settlement—make Google go to court and explain itself.
Sincerely,
Erika Mailman
cc via email:
Boni & Zack LLCbookclaims@bonizack.com
Debevoise & Plimpton LLPbookclaims@debevoise.com
Durie Tangri Lemley Roberts & Kent LLPbookclaims@durietangri.com
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Wednesday, July 29, 2009
Witchcraft in India
Please leave comments here and I can get them to her, or you can visit her at Everything Distills into Reading.
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Witch Trials in India
By Gautami Tripathy
I have read a lot of books on the Salem witch trials. And I have been horrified by it, as I ought to be. Most of us think of it as something which is in the past, and simply move on after deploring the past with platitudes.
Is it in the past? And gone? Not so. Here I will highlight that aspect. Witch trials are still happening in today's India. Scary, isn't it?
What is the reason that it still persists? Superstition? Religion? Those do not even scratch the surface. It is more on the lines of property rights. Brand a woman as a witch, throw her out of the village and grab her property. It happens with those women who have no family support and no one to speak for them other than themselves. Sometimes it is also done to settle scores against women who have spurned sexual advances from powerful men. Those women too aren't spared who question the societal norms or go against them. How can a man's ego, any man's ego, stand that?
Mostly childless and helpless widows face the brunt because the husband's family don't want to share their property with her and want her gone from their fold. The villager elders instead of supporting the woman even instigate the woman to be thrown out or sometimes killed. When mobs come out, what does a woman do? The law either turns a blind eye or turns up after the deed is done. With virtually no witnesses, the culprits go scot-free.
Sometimes religious beliefs allow a woman to be tortured. Hinduism too has stories about witches and if something happens to someone, the woman is blamed and all come out against her. In recent years, as many as 700 women have been hunted down as witches.
Most of the witch trials end up in killing. NGOs have come up, spreading awareness, providing for helpless females, but it still isn't enough. As long the feudal spirit persists, superstition rules the roost, and spreading awareness will not help.
Frankly, the government is apathetic too, which is a shame. Maybe it thinks brushing it under the carpet will make it go away.
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Saturday, July 11, 2009
Waterstone's

My lovely English editor at Hodder & Stoughton sent me a mobile phone image of Witch's Trinity being featured front-of-store at Waterstone's. It's part of a buy one, get one free promotion for the next week or so. You can see it in the second row, third from left. I absolutely love this yellowish, snowbound landscape cover design.
Waterstone's has been really good to the book; thank you!
Waterstone's has a special place in my heart. When I took my junior year abroad in Ireland oh so many years ago, I won second place in a poetry contest sponsored by University College Cork, and the prize was a Waterstone's gift certificate. I still have and love the book I got with it, a volume of Patrick Kavanagh's poems. It still has the W sticker on it! I loved the dark wood of the shelving units and spent a lot of time wandering the Cork store.
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Saturday, June 06, 2009
Bellarmines
Scientists examined the contents of one such flagon, found outside Greenwich several years ago and dating to the 17th century: inside was urine with traces of nicotine, well-manicured nail clippings from a man, a lock of hair, some belly button lint, nails, pins and a heart-shaped leather emblem. There were 200 such witch bottles found.
The article states:
Most witch bottles are heavy stoneware wine flagons from the Rhineland known as bellarmines after the French cardinal whose face was traditionally embossed on the neck. When the import of bellarmines ceased glass bottles were used, although fewer have survived.
As one of the commenters at Times Online correctly pointed out, this is witchcraft to ward off witchcraft.
The link to the article is here.
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