Monday, March 19, 2018

7th annual National Chin Up for Writers Day



Back in 2012, I designated March 19 as National Chin Up for Writers Day. Each year on this holiday I've written an update post. This year I'm trying something new ... er, old. I've recently been introduced to the term "evergreen" in terms of posts that are always relevant. I'm going to recycle this evergreen post, and in 2019 I'll write a fresh one. So here we go!

I originally wrote this post as an email to a Facebook acquaintance, who was clearly getting depressed about his inability to find a traditional publisher for his novel, but as it lengthened I thought it'd be worth posting here. I remember those dark days myself very clearly, and my heart goes out to anyone in this situation--because getting a novel published isn’t just something that would be cool for us; it’s something that validates how we see ourselves. I remember that before traditional publication, if I met someone new and identified myself as a writer, they’d invariably ask, “So have you published anything?” and I'd have to embark on the Road to Apologia, why this is, and how hard I've tried, and I came close with that one agent, and I attended that conference and had a nice talk with that publisher, and how I keep trying and I…

Yes, it sucks.

So I’m appointing today National Keep Your Chin Up Day for Writers. I have a few thoughts to share that hopefully will serve as a bit of a pep talk.

1. Nearly every published writer I know (myself included) had about six novels under the bed when they finally got that offer. Count up your own manuscripts: two? Three? You may need to keep churning them out, because with each novel your craft improves. Writing is mysterious, and I do believe in innate talent, but as with everything single thing in this life, we get better with practice. So keep practicing. It occurs to me that this bit of cheer may backfire, that a writer may say, “I can’t keep doing this to myself! I just finished my third book, and that’s IT. You’re telling me I have to write three more?!” Someone who really cares about their career will nod philosophically and take the long view that it’s worth it to keep working, keep improving, and finally get a publication contract for a book that’s your best effort.

And after all, you can’t force a book to sell. You can revise based on editorial feedback, you can try again; you can try multiple times! But at some point, you have to cut your losses and start the next project. Soon, the joy of creating a new world within your novel will ease your feelings of feeling frantic about the previous book. And with what you learned from the new novel, you may wish to launch another revision on the old. But at least you’ll have another fresher, better book to try to publish.

2. Joining a writers group really helps with the emotions of being unpublished. Kvetching together, sharing the anticipations as queries go out, consoling each other when rejections happen, cheering each other on to try again: that’s something that non-writers can’t really offer. They don’t “get” what’s so important about being published. The other thing about joining a writers group is that suddenly the idea of being a writer becomes more real. It’s one thing to type away in your home, but when you’re sharing your work with other writers, equally serious about their craft as you, your idea of yourself as an author gains more weight, validity. It will seem more possible that you can do this successfully. I heartily recommend finding a real-person writers group, but online works too.

3. Keep reading books you love. It’s not escapism, it’s not a reason not to write. It’s research--because every single sentence you imbibe resides in you. The more you read, the more those different ways of constructing a sentence moil around in your head. You give your brain more options. You are tutoring yourself subconsciously. 4. “It only takes one person to say yes.” I’m sure you’ve heard that dozens of times, but it’s so true in the publishing industry. It doesn’t matter that 50 agents sent you form rejections, if one says, “I love it!” Your onus is to find the person most likely to say yes. Like I said in #3, keep reading…and when you find a book that’s similar to yours in tone or aesthetic, look at the Acknowledgments section to see if the author thanked their agent. That’s a good person to send a query to. Another good tactic is to subscribe to Publishers Marketplace (you can do it for $20 for one month, jam through the archives, and cancel, if money is an issue): you can see what’s selling right now to editors, and which agents are doing that selling.

See an agent’s name several times, linked with books that are similar to yours? That’s another good person to target. You can also look through those thick tomes of agent directories (or better yet, www.agentquery.com), but that doesn’t give you a feel for what the agent likes. Just knowing they represent historical fiction, for instance, doesn’t necessarily mean that they like books set in Colonial America. Look at the agent’s website and rifle through their client list. Can you get a sense of the agent’s personality through the books he/she has chosen to represent?

Keep your chin up. There’s a part of this process you can control, and you should: the rest of it is out of your hands. The best thing you can do is move to the next project, and let the current novel marinate. Mark your calendar for six months from now, and re-read it.

Is that chin in the air yet? Higher! Like Cora in Downton Abbey, let me see that plastic surgery scar! I offer you an e-hug and a rueful e-smile, because I’ve been there. Believe me, I’ve really, really been there… and I hope the Gods of Publishing will soon smile on you and your novel.

If you'd like to read the previous years' posts on Keep Your Chin Up Day:

Second year
Third year


Sixth year: As I look for it to link to, I am just now realizing I forgot to do it last year! Oh dear. Rats!


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Friday, March 16, 2018

Ireland will always be in my heart


You never know how the experiences of youth will sculpt the future. I took my junior year abroad in Cork, Ireland, mainly because I was following a guy, but can it be a coincidence that two of my novels feature Irish protagonists? I love the brogue but more than just the accent, it's the imaginative nature of the language. I will never forget sitting in the tiny living room in the rental flat in Prosperity Square (close to the Murphy's Stout brewery, and those hops are forever living in my nasal memory), watching the peat fire burn, and my Irish roommate said, "I watch the flames and I fall to dreaming."

I fall to dreaming!!!

And no, she was not in my poetry program, and no, she wasn't trying to sound poetic. She was a grownup with a regular job. That is just how people sometimes speak in Ireland, reared on a literary island.

I'd like to tell you a bit about my two Irish characters, each of whom wound up on American shores. One fictional and one based on a real-life historical character, the maid to accused murderess Lizzie Borden.

Dodge City prostitute that I saw as "Nora." Her image appears
on the front cover of Woman of Ill Fame


First, Nora Simms. She's part of a Boston Irish immigrant family and departs for California as soon as she hears the reports of gold. She's an unapologetic prostitute who wants to capitalize on the chance to make money, fast. She arrives in San Francisco when it's rough, crude and open to any possibilities. Unfortunately, Nora's path entangles with that of a killer targeting the women of ill fame (a euphemism for prostitute in that era), and she has to use her quick wits to ensure she's not the next victim. The novel Woman of Ill Fame launched a decade ago from Heyday Books, a small press in Berkeley that is still going strong after 40 years in business. Their rights in the book elapsed, and now the book is only available as an ebook under my steam. I'm hoping to repackage this with a sequel in the next year and give Nora new life.

The real Bridget Sullivan on the right. At left is actor Kristen Stewart
portraying her in the upcoming movie Lizzie,
which is not based on my book.


Next, Bridget Sullivan. She was the real-life maid in a household where a husband and wife were brutally murdered by repeated blows to the head with a hatchet. The younger daughter of the family, Lizzie Borden, was accused of the murders. That day, she and Bridget were the only people in the house besides the victims. After a circus of a trial (every major newspaper sent a reporter to Massachusetts to cover it), Lizzie was acquitted. Bridget provided testimony against her employer, and I can only wonder how nervous Bridget was for her own safety once Lizzie was released from jail. Legend says she returned to Ireland to buy her mother a farm. Her traces fade as there were many, many women named Bridget Sullivan in this late-1800s era. The Murderer's Maid: a Lizzie Borden Novel was my first book written involving real historical people, which definitely provided a challenge in terms of getting it "right." The Lizzie Borden story also has a following of many passionate people and I hoped I got it correct for them. A few months ago, I learned that a woman who loved the Lizzie Borden narrative so much that she got married in the murder house gave my book a glowing review: I felt jubilant! This book launched in October 2017, so apparently the trend is that I publish an Irish novel every 10 years. I'd like to carve that down significantly for the next one!

HAPPY ST. PATRICK'S DAY!
Go wear your bra, Erin!

P.S. It wasn't until I started uploading the book covers below that I realized my two Irish books were both blurbed by the magnificent and generous Diana Gabaldon. Her Scottish kindness has reached across the sea to my Irish women. :)

P.P.S. I hasten to say I hadn't forgotten she blurbed them. Far from it!!!!!! I just haven't ever done a post before that connected the two books' Irishness.

















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