Showing posts with label Kathleen Kent. Show all posts
Showing posts with label Kathleen Kent. Show all posts

Saturday, December 30, 2017

2017: my writing year in review



This year I had three pieces of writing-related news.

1. An audio book of Woman of Ill Fame was released in May from Tantor. Confession: I still haven’t listened to it! At some point I will do a giveaway for one of the downloads. Perhaps 2018 will slow down enough that I can listen to it myself. I’d love to hear the narrator blustering through some of Nora’s creative Irish swearing. And I liked very much the new cover they gave the book.



2. In February, the third book in my Y.A. trilogy The Arnaud Legacy was released by Kensington Books, titled Avenged. It’s written under my pen name Lynn Carthage. This was to protect teen readers from my other books (see unapologetic Gold Rush prostitute novel, above), but I decided it was okay to publicize from Erika to Lynn, just not the other direction. I love this spooky neo-Gothic series and heartily encourage it for grown-ups as well. The sequence is: Haunted, Betrayed, Avenged. I think it’s okay to jump into the series with either Haunted or Betrayed, but probably more challenging to start with Avenged.



3. The Murderer’s Maid: A Lizzie Borden Novel launched in October. The book has received some wonderful trade reviews and some good press.


And thanks to Diana Gabaldon and Kathleen Kent for the fantastic bookjacket blurbs.

I did a big round of events in the San Francisco Bay Area, my courage rising despite intimidation by natural disasters (sorry if that sounds overblown...I love that line from Pride and Prejudice). The Santa Rosa wildfires affected attendance at two events (at one in Sausalito, Peg Alford Purcell’s lovely Why There Are Words monthly reading series, air quality was so bad I couldn’t stand outside for more than a few minutes. Litquake’s Litcrawl in San Francisco was similarly affected by the smoke). I felt awful for people who had lost much more than attendance because of the fires. One dear friend even came to my event although she had evacuated to a hotel; she wanted some “normal” in her life (and thank goodness, her home survived, as did Peg Alford Purcell’s!)

Then, more significantly, the hurricane delayed unloading at port of the cargo ship that happened to have my books on board. Again, I realize this is a very negligible “loss,” but it did mean that books were not available for two weeks of front table display at Barnes & Noble as previously scheduled, and undoubtedly affected sales. My sister had preordered on Amazon, and since the book was so delayed, she was sent an email offering to cancel the order. I shudder to think of how many people may have done just that. Luckily, my publisher had rush-ordered a substantial number of early copies, so we had enough to sell at the launch events. We held or participated in events at a haunted museum in Oakland, an art gallery after hours in San Francisco, and of course multiple bookstores. I had a great time talking about the bewildering, complex case that is the Borden family murders. It’s always cool to see what questions people come up with.

The Murderer’s Maid was my first stab (oh please, no pun intended) at writing a “marquee novel”—one about someone who is already famous enough that there could be some built-in readership. I’m excited that a movie about Lizzie Borden is showing at Sundance in January 2018. I cannot wait to see it! Even just a trailer would probably keep me happy for a week.

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In 2017, I presented at several conferences, the Gold Rush Writers Conference in downright adorable Mokelumne Hill, California, and Summerwords, a literary conference hosted by American River College in Sacramento.  I joined a new local group organized nationally by Jonathan Maberry called the Writers Coffeehouse and continued attending a small monthly meeting of local historical novelists. I did radio spots (I'll post clips in another blog post) for Beth Ruyak's Insight program on NPR's Capitol Public Radio in Sacramento, Rich Ehisen's podcast, Tim Weisberg's paranormal show Spooky South Coast, and guest host Joey Garcia on KFBK. Many writer friends had launches this year and have my congratulations and support, too many to name here. I feel invigorated by my community and by the privilege of being able to focus on what I love so sincerely: words.
 
Wishing you and yours the very best for 2018. Happy New Year, everyone!


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Monday, March 13, 2017

Kathleen Kent's remarkable ability to turn on a dime




For many years, it's been my honor to track the career successes of someone who has become a friend. Kathleen Kent, who burst onto the scene in 2007 with an incredible historical novel about her ancestor Martha Carrier, hanged at Salem—The Heretic's Daughter—has kept a steady flow of beautiful books coming.




The Wolves of Andover came next, in some ways my favorite of her books. It was a prequel to The Heretic's Daughter, telling about the earlier days of the Carrier family. I loved it and its poetic language against the backdrop of a harsh Colonial setting. It was later retitled The Traitor's Daughter, but I prefer the repeated consonance of the V sound in the previous title.



From left, author Michelle Gagnon, me, Kathleen Kent at the Book Group
Expo in San Jose in 2007.


Michelle, me, Kathleen, and Brunonia Barry: we were all part of a witchcraft panel.


Next came a shift from the Colonial era, but still historical, with her novel The Outcasts.  This featured a shady Texas woman and a policeman pursuing a killer, with wonderful plot twists. It's so cinematic (well, they all are); I could totally see this as a brooding movie along the lines of the True Grit remake.



And once again Kathleen has turned on a dime, reinventing her genre. Her latest is The Dime, a modern police procedural featuring a tough-as-nails, red-headed lesbian cop. The first scene in this book? Heavy duty, pulse-racing, can't-stop-reading drama. And you will love the heroine based on her quick thinking and strategizing in this scene. The Dime is amazing. So few authors can master a genre, but Kathleen easily does it and then turns her focus on yet another one. I guess next she'll tackle a poetry volume or maybe some manga, and totally kill the poetry and manga world.

The Dime is a work of incredible suspense, with threads you thought dropped returning to pay off in the end. It contains some harrowing scenes that had me gasping (literally—my husband on the other pillow asked, "Are you okay?"). It's everything you want out of a book: an escapist ride, a heroine triumphing over almost unspeakable odds, and rooting for the good guys.

Bravo! I think the world of her; she's one of those truly nice people who deserves every success she's had. Can't wait to see what comes next from this talented author.

We found some more witches and banded together at the Historical Novels Society
Conference in 2013. From left, me, Kathleen, Mary Sharatt, Suzy Witten


Our panel

And just for some levity...



At the Book Group Expo, there was a very funny
typo on the room schedule sign...a mash-up of two book titles.



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